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TIQQUN
1. The elementary human unity is not the bodythe individualbut the form-of-life. 2. The form-of-life is not beyond bare life, it is its intimate polarization. 3. Each body is affected by its form-of-life as if by a clinamen, a penchant, a leaning, an attraction, a taste. What a body leans toward also leans toward it. This goes for each and every situation. All inclinations are reciprocal. 4. This taste, this clinamen, can either be conjured away or assumed. To assume a form-of-life is not simply to recognize such a penchant, but to think it. I call thought that which converts a form-of-life into a force, into a sensible effectivity. 6. Asking why this body is affected by that form-of-life rather than another is as meaningless as asking why there is something rather than nothing. This question only signals the refusal to recognize, and even the terror before, contingency. A fortiori, acting accordingly. 9. In and of themselves, forms-of-life can be neither said nor described. They can only be showneach time, in a necessarily singular context. The play between them, considered locally, follows rigorous signifying determinisms. If these determinisms are thought, they become rules and can be modified. Each sequence of this play is bordered, on each side, by an event. The event disorders the play between forms-of-life, introduces a fold within it, suspends past determinations and inaugurates new ones through which it should be interpreted. In all things, we start from the middle. 10. Civil war is the free play between forms-of-life; it is their principle of co-existence. 11. "War" because in each singular play between forms-of-life, the possibility of a fierce confrontationthe possibility of violencecan never be discounted. 12. The point of view of civil war is the point of view of the political. 16. When I encounter a body affected by the same form-of-life as I am communitythis encounter puts me in contact with my own power. 18. When, at a certain moment and in a certain place, two bodies animated by forms-of-life that are absolutely foreign to one another meet, they experience hostility. This type of encounter gives rise to no relation; to the contrary, it bears witness to the prior absence of relation. 19. For me, the hostis is a nothing that must be annihilated, either through cessation of hostility, or by ceasing to exist altogether. 23. Hostility puts me at a distance from my own power. 24. What comes between the extremes of community and hostility is the sphere of friendship and enmity. Friendship and enmity are ethico-political concepts. That both give rise to an intense circulation of affects only shows that affective realities are works of art, and that the play between forms-of-life can be elaborated. 30. I call "communism" the real movement that elaborates, everywhere and at every moment, civil war. 33. The modern State referred its etymology to the Indo-European root st- and its implications of fixity, unchangingness, to what is. This maneuver fooled more than one of us. Today, when the State is no more than a survival of itself, the reverse becomes clear: it is civil warwhat the Greeks called stasisthat is permanent, and the modern State that will have been a mere reaction-process to this permanent war. 46. The modern State will have failed in three different ways: first, as the absolutist State, then as the liberal State, and finally as the Welfare State. The passage from one to the other can only be understood in relation to three corresponding forms of civil war: the wars of religion, class struggle, and the Imaginary Party. It should be noted that the failure here is not found in the result, but in the process itself and its entire duration. 53. Empire is the turning outside-in of the liberal State. Once this has taken place, ONE has passed from a world partitioned by the Law to a space polarized by norms. The Imaginary Party is the other, hidden side of this turning outside-in. Gloss: What do we mean by Imaginary Party? That the Outside has moved inside. The turning outside-in of the liberal State into Empire has occurred silently, without violence, as if in the night. From without, nothing seems to have changed. ONE is simply struck by the sudden uselessness of so many familiar things, and the old divisions that once had so much weight now no longer function. 58. Empire perceives civil war neither as an affront to its majesty nor as a challenge to its omnipotence. It sees it only as a risk. This explains the pre-emptive counter-revolution Empire has not failed to wage against anyone who might have punctured holes in the biopolitical continuum. Unlike the modern State, Empire does not deny the existence of civil warinstead, it manages it. If it denied it, it would have to do without certain means it needs to steer, or contain, this same civil war. Wherever its networks are insufficiently intrusive, it will ally itself for as long as it takes with some local mafia or even some local guerilla group, on the condition that these parties guarantee they will maintain order in the territory they have been assigned. Nothing is more irrelevant to Empire than the question, "who controls what?"provided, of course, that control has been established. 62. Imperial sovereignty means that no point of space or time and no element of the biopolitical tissue is safe from intervention. The electronic archiving of the world, todays generalized traceability, the fact that the means of production are becoming just as much a means of control, the reduction of the juridical edifice to a mere weapon in the arsenal of the normall this tends to turn each and every citizen of Empire into a suspect. 72. The sphere of hostility can be reduced only by extending the ethico-political domain of friendship and enmity. This is why Empire has always failed to extend this domain, despite all its protestations in favor of peace. The becoming-real of the Imaginary Party is simply the formationby contagionof a plane of consistency where friendships and enmities can freely deploy themselves and make themselves legible to one another. Translation by Jason Smith
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